Hannah Cieri

is a Vermont-based ceramic artist and flower farmer working primarily in porcelain. Both practices are rooted in an intimate relationship with time, seasonality, and change. In the field, she witnesses cycles of emergence, abundance, decline, and renewal. In the studio, she explores those same themes with porcelain.

Drawing from classical forms, she creates sculptures that appear caught in a state of transformation. Organic growths emerge across their surfaces, obscuring and altering familiar silhouettes. You’re left feeling unsure whether the pieces are being reclaimed or birthed. These interventions reference the natural processes she observes daily as a flower farmer and when hiking in the nearby forests with her family. Colonization, weathering, decay, and regeneration suggest that nothing remains fixed and that “finished” is a made up word.